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Private television
Almanca
Almanca
İngilizce
İngilizce

Pri·vat·fern·se·hen <-s, ohne pl> ISIM cinssiz resmî dil

İngilizce
İngilizce
Almanca
Almanca
Privatfernsehen cinssiz <-s> kein pl

PONS OpenDict

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Madde ekle

PONS sözlüğünden örnekler (yazı işleri tarafından onaylanmıştır)

Tek dilli örnekler (PONS yazı işleri tarafından onaylanmamıştır)

Zudem arbeitete für das Privatfernsehen u. a. als Aufsichtsratsmitglied.
de.wikipedia.org
Im deutschen Sprachraum wurde der Film 2005 erstmals im Privatfernsehen gezeigt und später auf DVD veröffentlicht.
de.wikipedia.org
Zu weiteren Arbeiten für das deutsche Privatfernsehen gehören „Der deutsche Fernsehpreis“ und 7 Tage, 7 Köpfe.
de.wikipedia.org
Als die Serie ins Privatfernsehen kam, wurden weitere Minuten sowie der Abspann weggeschnitten.
de.wikipedia.org
Diese Arbeitsgemeinschaft diskutiert die Entwicklung des Fernsehprogramms und der Sendeformen sowohl des öffentlich-rechtlichen Fernsehens als auch des Privatfernsehens.
de.wikipedia.org

İnternetten örnekler (PONS yazı işleri tarafından onaylanmamıştır)

[...]
In den Anfängen des Privatfernsehens war er die kreative Kraft bei Sputnik-TV, einem innovativen und experimentellen Sendegefäss aus dem Zürcher Technountergrund.
[...]
ican-films.com
[...]
At the beginnings of commercial television he was the creative force of Sputnik-TV, an innovative and experimental channel emerging from Zurich’s underground techno scene.
[...]
[...]
Aktiv berichtete auch LT1, das Linzer Privatfernsehen, über Linz09 und machte den Sonntagabend mit einem Magazin zum fixen Sendeplatz für die Kulturhauptstadt.
[...]
www.linz09.at
[...]
LT1, Linz ’ s commercial television station, also joined in and established a slot for Culture Capital on Sunday night.
[...]
[...]
Die Einführung des Privatfernsehens 1984 in Deutschland und der nachfolgende Paradigmenwechsel von Qualität und Bildungauftrag zu Quote und Profit war – zumindest in der Rückschau – auch einer der Gründungsmotive des VideoFestes. Videokunst dieser Zeit verstand sich wesentlich als Dekonstruktion der neuen, werbenden, schreiend bunten Bilderflut.
[...]
hkw.de
[...]
The advent of commercial television in Germany in 1984, and the ensuing paradigm shift away from a mandate for quality and education towards one of quotas and profit, was also – in hindsight at least – one of the motives for the founding of VideoFest.
[...]