Eine grundsätzliche Debatte entstand darüber, wie und durch wen eine Filmgeschichte geschrieben wird, der das Potenzial zugeschrieben wurde, das Kino grundlegend zu erneuern.
Gleichzeitig musste man die öffentliche Marginalisierung dieses erwünschten Kinos konstatieren.
Der zweite Kongress – mit dem veränderten Namen Experimental Media Congress – diente 2010 zur Bestandsaufnahme nach zwei Jahrzehnten, in denen sich der Experimentalfilm technisch wie kulturell stark ausdifferenziert hatte und fast schon zu einem historischen Begriff geworden war.
www.arsenal-berlin.deA fundamental debate arose about how a type of film history which had been seen as having the potential to renew cinema in a fundamental manner might be written and who should be doing the writing.
It was also established at the same time that this coveted type of cinema was publically marginalized.
The second congress, which was renamed the Experimental Media Congress, was more concerned with taking stock following two decades in which experimental film had diversified strongly both with respect to technology and culture and had practically become a historical concept in the process.
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